{"id":54520,"date":"2017-01-18T18:00:35","date_gmt":"2017-01-18T18:00:35","guid":{"rendered":"http:\/\/jorgesantos.net\/?page_id=54520"},"modified":"2023-10-16T15:19:38","modified_gmt":"2023-10-16T15:19:38","slug":"bio","status":"publish","type":"page","link":"https:\/\/jorgesantos.eu\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;55602&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h1><strong>Jorge Santos<\/strong><\/h1>\n<p>Born in Silves, in 1974. Graduated in Fine Arts (ESAD, Caldas da Rainha, 2001). Received artistic development grants from the Calouste Gulbenkian Foundation for Casa Velasquez in Madrid and Spike Island in Bristol. A multidisciplinary artist, he worked in the areas of painting, sculpture, video, photography, and printmaking. Presented works in various countries such as the United Kingdom, France, Spain, Portugal, and Brazil. He is represented in several public and private collections, such as MAAT, Carmona e Costa Foundation, and La Petite Escal\u00e8re. Passed away in Lisbon, where he lived and worked, in March 2022.[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row=&#8221;&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; css=&#8221;.vc_custom_1484762564715{padding-right: 10% !important;padding-left: 10% !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1><span id=\"E114\" class=\"qowt-font3-ArialNarrow\">Selected Awards<\/span><\/h1>\n<p><span id=\"E116\" class=\"qowt-font3-ArialNarrow\">Artist Fellowship \u2014 <em>Le Petit <\/em><\/span><em><span id=\"E118\" class=\"qowt-font3-ArialNarrow\">Escal\u00e8re<\/span><\/em><span id=\"E120\" class=\"qowt-font3-ArialNarrow\"><em>, Sculpture Garden, France<\/em><br \/>\n<\/span><span id=\"E122\" class=\"qowt-font3-ArialNarrow\">Artist Development <\/span><span id=\"E124\" class=\"qowt-font3-ArialNarrow\">Fellowship \u2014<\/span><span id=\"E126\" class=\"qowt-font3-ArialNarrow\"> <\/span><em><span id=\"E127\" class=\"qowt-font3-ArialNarrow\">Calouste Gulbenkian Foundation<\/span><span id=\"E128\" class=\"qowt-font3-ArialNarrow\">, Spike Island, Bristol, UK<\/span><\/em><span id=\"E138\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E140\" class=\"qowt-font3-ArialNarrow\">Artist Fellowship \u2014 <\/span><em><span id=\"E141\" class=\"qowt-font3-ArialNarrow\">Calouste Gulbenkian Foundation<\/span><span id=\"E142\" class=\"qowt-font3-ArialNarrow\">,\u00a0<span id=\"E130\" class=\"qowt-font3-ArialNarrow\">Casa de <\/span><span id=\"E132\" class=\"qowt-font3-ArialNarrow\">Vel<\/span><span id=\"E134\" class=\"qowt-font3-ArialNarrow\">\u00e1<\/span><span id=\"E136\" class=\"qowt-font3-ArialNarrow\">zquez<\/span><span id=\"E138\" class=\"qowt-font3-ArialNarrow\">, Madrid<\/span><\/span><\/em><span id=\"E2235\" class=\"qowt-font3-ArialNarrow\"><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row=&#8221;&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; css=&#8221;.vc_custom_1484762564715{padding-right: 10% !important;padding-left: 10% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h1>Solo Shows<\/h1>\n<p><strong>2020<br \/>\n<\/strong><em>Jorge Santos<\/em>, A ilus\u00f3ria verdade, drawings, les amants, Gallery Quattro, Leiria<br \/>\n<strong><br \/>\n2019<br \/>\n<\/strong><em>Jorge Santos<\/em>, retrospective exhibition of painting and video, Abreu Advogados Headquarters, Lisbon<\/p>\n<p><strong>2018<br \/>\n<\/strong><em>Vitrine,<\/em><strong>\u00a0<\/strong><em>Brise-soleil<\/em> #, installation, Biombo #, sculpture,\u00a0 Sun around the house, painting, Galeria a montanha, Lisbon<br \/>\n<em><span id=\"E150\" class=\"qowt-font5-ArialNarrowItalic\">Language<\/span><span id=\"E152\" class=\"qowt-font5-ArialNarrowItalic\"> <\/span><span id=\"E154\" class=\"qowt-font5-ArialNarrowItalic\">of<\/span><span id=\"E156\" class=\"qowt-font5-ArialNarrowItalic\"> <\/span><span id=\"E158\" class=\"qowt-font5-ArialNarrowItalic\">Plants<\/span><\/em><span id=\"E160\" class=\"qowt-font3-ArialNarrow\">,<\/span><span id=\"E161\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E162\" class=\"qowt-font3-ArialNarrow\">Cana do Reino # <\/span><span id=\"E163\" class=\"qowt-font3-ArialNarrow\">1, cut-out, Arabesco #, cut-out. <\/span><span id=\"E165\" class=\"qowt-font3-ArialNarrow\">Matamorfose<\/span><span id=\"E167\" class=\"qowt-font3-ArialNarrow\"> #, cut-out, Trepadeira, cut-out, Gabinete <\/span><span id=\"E169\" class=\"qowt-font3-ArialNarrow\">Giefarte<\/span><span id=\"E171\" class=\"qowt-font3-ArialNarrow\">, Lisboa<br \/>\n<\/span><em><span id=\"E173\" class=\"qowt-font5-ArialNarrowItalic\">Pi<\/span><span id=\"E174\" class=\"qowt-font5-ArialNarrowItalic\">n<\/span><span id=\"E175\" class=\"qowt-font5-ArialNarrowItalic\">turas de Outono<\/span><\/em><span id=\"E176\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E177\" class=\"qowt-font3-ArialNarrow\">Folhas de Outono #, <\/span><span id=\"E179\" class=\"qowt-font3-ArialNarrow\">painting<\/span><span id=\"E181\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E183\" class=\"qowt-font3-ArialNarrow\">Pavilion<\/span><span id=\"E185\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E187\" class=\"qowt-font3-ArialNarrow\">of<\/span><span id=\"E189\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E191\" class=\"qowt-font3-ArialNarrow\">the<\/span><span id=\"E193\" class=\"qowt-font3-ArialNarrow\"> Portuguese <\/span><span id=\"E195\" class=\"qowt-font3-ArialNarrow\">Consulate<\/span><span id=\"E197\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E199\" class=\"qowt-font3-ArialNarrow\">Sevilhe<\/span><\/p>\n<p><strong>2017<\/strong><br \/>\n<em>Flower ornament<\/em>, installation, flower ornament, drawings, Museum of Portuguese decorative arts of the Fundacion Ricardo do Esp\u00edrito Santos e Silva, Lisboa<br \/>\n<em>Entre\/Between<\/em>, sculpture, suspensa no muro, painting, recorte# 1, video, interst\u00edcio, Gallery of Col\u00e9gio das Artes, Coimbra<\/p>\n<p><strong>2015<\/strong><br \/>\nA grande janela, installation, Brise-soleil, painting, Casa de vidro, Giefarte, Lisboa<\/p>\n<p><strong>2014<\/strong><br \/>\n<em>Vista sobre o arvoredo<\/em>, sculpture installation in public space, Ponta Delgada, Azores<br \/>\n<em>Marquise<\/em>, painting, Arvoredo, video installation, Marquise, Gallery Presen\u00e7a, Oporto<br \/>\n<em>Martinhal<\/em>, painting site.specific, Martinhal resort, Sagres<\/p>\n<p><strong>2013<\/strong><br \/>\n<em>The language of flowers<\/em>, drawing, <em>Flower ornament<\/em>, Photography, <em>Back light Dahlias<\/em>,\u00a0Paisagem-Matriz, Gallery Presen\u00e7a, Oporto<br \/>\n<em>The house translated into Landscape<\/em>, installation, Spring Cage, sculpture, Grotto, CAAA, Guimar\u00e3es<br \/>\n<em>Behind the green door<\/em>, site-specific installation, Casa Independente Hall, Lisbon<\/p>\n<p><strong>2012<\/strong><br \/>\n<em>Blind Fence<\/em>, site-specific installation, embossed prints on paper. Round the Corner, Lisbon<br \/>\n<em>Le flaneur au Jardin<\/em>, site-specific installation, Parmi les bosquet d\u2019ombre#1, 2, drawing series, Les amants parmi les bosquet\u00a0d\u2019ombre , le petit paysage, Le Petite Escalere, France<\/p>\n<p><strong>2011<\/strong><br \/>\n<em>Walking up that hill<\/em>, video installation, Chinoiserie#1,2, Maus H\u00e1bitos, Oporto<\/p>\n<p><strong>2010<\/strong><br \/>\nThe world appeared to her reflected by pure inwardness, sculptoric installation,<em> Blind wall<\/em>, video installation, <em>Spring cage<\/em>, embossed print on paper, <em>Blind gate<\/em> #1,2 series, Spike Island Gallery, Bristol<br \/>\nRapture, Drawing, <em>Fragments of love songs<\/em>, sculptoric installation, Love poem #1, Zoom, Gallery Carlos Carvalho, Lisbon<\/p>\n<p><strong>2009<\/strong><br \/>\nView point #2, sculptoric site-specific installation, Test one, Spike Island, Bristol<\/p>\n<p><strong>2008<\/strong><br \/>\n<em>Nocturne<\/em>, drawing, Shadow stream series and photography, winter landscape and Breached projection, Galeria Espacio Liquido, Gij\u00f2n<br \/>\n<em>Shadow Stream<\/em>, video installation, Quad-Water skylight, drawings Shadow Stream series, Galeria 111, Lisbon<br \/>\n<em>Autumn House<\/em>, slide show installation, Cooperativa de Arte e Cultura, Torres Vedras<\/p>\n<p><strong>2007<\/strong><br \/>\n<em>Running Window<\/em>, video installation, Museum Cole\u00e7\u00e3o Berardo, Lisbon<br \/>\n<em>Taller Revisitado<\/em>, Casa de Vel\u00e1zquez, Madrid<\/p>\n<p><strong>2006<\/strong><br \/>\nRetiro, sculptoric installation, Tragaluz #2, drawing series, Reflexo, Galeria 24b, Oeiras<br \/>\nO Navio, video in la c\u00e1mara obscura, Casa de Am\u00e9ricaEternal love, sculptoric site-specific installation, project Taller Ocupado, Casa de Vel\u00e1zquez<br \/>\nView Point, sculptoric site-specific installation, project Taller Ocupado, Casa de Vel\u00e1zquez, Madrid<\/p>\n<p><strong>2005<\/strong><br \/>\nTragaluz, sculptoric site-specific installation, project Taller Ocupado, Casa de Vel\u00e1zquez, Madrid<br \/>\nTired of living for the city, video projection, photography, Bomba Su\u00edcida, Lisbon<br \/>\n<em>Tired of living for the city<\/em>, projec\u00e7\u00e3o v\u00eddeo, fotografia, Bomba Su\u00edcida, Lisboa.<\/p>\n<p><strong>2004<\/strong><br \/>\n<em>Gen\u00e9rico para uma Tela de Cinema<\/em>, v\u00eddeo installation, Cinemateca Portuguesa, Lisbon<\/p>\n<p><strong>2003<\/strong><br \/>\n<em>Now the night is closing in<\/em>, v\u00eddeo installation , Gallery Gra\u00e7a Brand\u00e3o, Lisbon<\/p>\n<p><strong>2001<\/strong><br \/>\n<em>Night Shadow<\/em>, v\u00eddeo installation, Art Attack, Caldas da Rainha[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h1>Group Shows<\/h1>\n<p><strong>2020<br \/>\n<\/strong><em>A cultural interpretation of stone<\/em>, Fragments of love songs, drawing, Livraria S\u00e1 da Costa, Lisbon<br \/>\n<em>A wiff of smoke in the face<\/em>, pregas series, woodcut, Gallery Diferen\u00e7a, Lisbon<\/p>\n<p><strong>2019<br \/>\n<\/strong><em>Marmoreado, <\/em>painting, Sebe series, Appleton, Box, Lisbon<br \/>\n<em>Vitral<\/em>, site-specific installation, painting, Pada capitulo 1, Auditorio Municipal Augusto Cabrita, Barreiro<br \/>\n<em>Al\u00e9m deste solit\u00e1rio Carrossel<\/em>, fragments of love songs, drawings, Gallery 111, Lisbon<\/p>\n<p><strong>2018<br \/>\n<\/strong>Untitled (Intimacy), Brise-soleil, cortina da L\u00e1grimas, Gallery Diferen\u00e7a, Lisbon<\/p>\n<p><strong>2017<br \/>\n<\/strong><em>Flat Image, <\/em>Arvoredo ao entardecer, painting , EXHIBIT London, London<\/p>\n<p><strong>2016<\/strong><br \/>\n<em>View point #3<\/em>, site-specific installation, la microscopie du banc, Micro Onde centre d\u2019art, V\u00e9lizy-Villacoublay, France<br \/>\n<em>Suspensa no muro<\/em>, sculpture instalation, la microscopie du banc, la graineterie, Houille, France<\/p>\n<p><strong>2015<\/strong><br \/>\nBrise-soleil, painting, paisagens inesperadas, Ocuparte, Lisbon<br \/>\n<em>Arvoredo ao entardecer<\/em>, painting, Entre o bosque de sombras, painted inkjet print, Frac\u00e7\u00e3o p, sculpture, <em>Flower ornament<\/em>, etching, Notas sobre a constru\u00e7\u00e3o do tempo. Capc, Bienal anozero, Coimbra<br \/>\n<em>Grotto<\/em>, instala\u00e7\u00e3o, Homeless monalisa, Col\u00e9gio das artes, Coimbra<\/p>\n<p><strong>2014<\/strong><br \/>\nArvoredo # 1, 2, painting, Paisagem e natureza, Museu de \u00c9vora, \u00c9vora<\/p>\n<p><strong>2013<\/strong><br \/>\n<em>O Navio<\/em>, video, Mar:Muitas mares, uma unica vaga de contentamento, BESart, Lisbon<br \/>\nO Navio, video, Do sil\u00eancio a um outro hino, Portuguese Cultural Centre, Cape Verde<br \/>\nO Navio, video , Do sil\u00eancio a um outro hino , Cultural Center of Mindelo, Cape Verde<\/p>\n<p><strong>2012<\/strong><br \/>\n<em>O navio<\/em>, v\u00eddeo installation, Noass\/waterpices, International Contemporary and Video art Festival, Riga<br \/>\n<em>Janela\/Window<\/em>, v\u00eddeo installation, Vitrine, Brighton<br \/>\n<em>Winter Landscapes<\/em>, Fotografia, Funda\u00e7\u00e3o Calouste Gulbenkian, London<\/p>\n<p><strong>2011<\/strong><br \/>\nBlid wire fence, site-specific installation, embossed print on paper, 20 anos artes pl\u00e1sticas ESAD.CR 20, Lisbon<br \/>\nWindow\/Janela, video, Vitrine, Brighton<br \/>\nWinter Window, Photography Calouste Gulbenkian Fundation, London<\/p>\n<p><strong>2010<\/strong><br \/>\nPersonal Dj, Museu da Rep\u00fablica, Galeria Lago, Rio de Janeiro<\/p>\n<p><strong>2009<\/strong><br \/>\nBranches that blow, Video, Uma mesa e tr\u00eas cadeiras, Edificio ETIC, Lisbon<br \/>\nFrac\u00e7\u00e3o P, sculptoric site-specific installation, The acts of apparition, Plataforma Rev\u00f3lver, Lisbon<\/p>\n<p><strong>2008<\/strong><br \/>\n<em>Branches that blow<\/em>, Video, Zaat Festival de ates visuais e sonoras, Lisbonfactory, Lisbon<\/p>\n<p><strong>2007<\/strong><br \/>\n<em>Breached Projection<\/em>, photography , Private office, Espa\u00e7o Avenida, Lisbon<br \/>\n<em>O Navio<\/em>, video, <em>Signos de la cuidad<\/em>, Centro Andaluz de Arte Contempor\u00e2nea, Sevilha<br \/>\n<em>O Navio<\/em>, video, <em>Signos de la cuidad<\/em>, Centro de Cultura Antiguo Instituto de Gij\u00f3n, Gij\u00f3n<\/p>\n<p><strong>2006<\/strong><br \/>\n<em>Frac\u00e7\u00e3o P<\/em>,<em> site-specific<\/em> sculpture installation, The Acts of apparition, Plataforma Rev\u00f3lver, Lisbon<br \/>\nArco 2007, Galeria 24b, Madrid<br \/>\nArte Lisboa, Galeria 24b, Lisbon<\/p>\n<p><strong>2005<\/strong><br \/>\n<em>Running River<\/em>, drawings, Ver\u00e3o asul, Escola das Artes, Lagoa<br \/>\nArco 2006, Galeria Moriarty, Madrid<\/p>\n<p><strong>2004<\/strong><br \/>\n<em>Autumn House<\/em>, slide show, espa\u00e7o Arte Contempo, Lisbon<br \/>\n<em>Gen\u00e9rico para uma tela de cinema<\/em>, poster, Ho dear! Galeria Zdb, Lisbon<br \/>\n<em>Loja do Lopes<\/em>, photography , Armaz\u00e9m 7, Lisbon<\/p>\n<p><strong>2003<\/strong><br \/>\n<em>Estore projectado<\/em>, v\u00eddeo installation, <em>Catalyst Arts<\/em>, Belfast<br \/>\n<em>Envelopes #3<\/em>, photography, project <em>Showindows<\/em>, Experimentadesign2003, Lisbon<\/p>\n<p><strong>2002<\/strong><br \/>\n<em>Film Noir<\/em>, site-specific v\u00eddeo installation, Lisbon<br \/>\n<em>Varanda com vista sobre uma varanda<\/em>, site-specific v\u00eddeo instalation, Lisbon<\/p>\n<p><strong>2001<\/strong><br \/>\n<em>Sombra<\/em>, photography, Galeria D.Ivone, Armaz\u00e9m 7, Lisboa<br \/>\n<em>As time goes by<\/em>, <em>site-specific<\/em> insyallation, Um passo na floresta, Lisbon<\/p>\n<p><strong>2000<\/strong><br \/>\n<em>Rendez-vous<\/em>, v\u00eddeo installation, Curtain, installation, Galeria 30 dias, Caldas da Rainha<br \/>\n<em>\u00c1rvore<\/em>, photography, Galeria D. Ivone, Caldas da Rainha<\/p>\n<p><strong>1999<\/strong><br \/>\n<em>Envelopes #1<\/em> e <em>Envelopes #2<\/em>, site-specific installation, E.S.A.D., Caldas da Rainha[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row=&#8221;&#8221; row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; css=&#8221;.vc_custom_1484762564715{padding-right: 10% !important;padding-left: 10% !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1>Private Collections<\/h1>\n<p id=\"E2037\" class=\"qowt-stl-Body\"><span id=\"E2040\" class=\"qowt-font3-ArialNarrow\">MAAT<\/span><span id=\"E2041\" class=\"qowt-font3-ArialNarrow\"> &#8211; Museum of Art <\/span><span id=\"E2042\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2044\" class=\"qowt-font3-ArialNarrow\">Arquitecture<\/span><span id=\"E2046\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2047\" class=\"qowt-font3-ArialNarrow\">and Technology, <\/span><span id=\"E2048\" class=\"qowt-font3-ArialNarrow\">PT<\/span><span id=\"E2049\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E2052\" class=\"qowt-font3-ArialNarrow\">PLMJ Foundation<\/span><span id=\"E2053\" class=\"qowt-font3-ArialNarrow\">, PT<\/span><span id=\"E2055\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E2056\" class=\"qowt-font3-ArialNarrow\">Madeira <\/span><span id=\"E2058\" class=\"qowt-font3-ArialNarrow\">Corporate<\/span><span id=\"E2060\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2062\" class=\"qowt-font3-ArialNarrow\">Servi\u00e7es<\/span><span id=\"E2064\" class=\"qowt-font3-ArialNarrow\">; PT<\/span><span id=\"E2066\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E2067\" class=\"qowt-font3-ArialNarrow\">CAMB Arte Manuel de Brito<\/span><span id=\"E2068\" class=\"qowt-font3-ArialNarrow\"> Art C<\/span><span id=\"E2071\" class=\"qowt-font3-ArialNarrow\">enter<\/span><span id=\"E2072\" class=\"qowt-font3-ArialNarrow\">, PT<\/span><span id=\"E2074\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E2076\" class=\"qowt-font3-ArialNarrow\">Collecion<\/span><span id=\"E2078\" class=\"qowt-font3-ArialNarrow\"> Novo Banco, PT<\/span><span id=\"E2080\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E2082\" class=\"qowt-font3-ArialNarrow\">Foundation<\/span><span id=\"E2084\" class=\"qowt-font3-ArialNarrow\"> Centenera <\/span><span id=\"E2086\" class=\"qowt-font3-ArialNarrow\">Jaraba<\/span><span id=\"E2088\" class=\"qowt-font3-ArialNarrow\">, ES<\/span><span id=\"E2090\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E2091\" class=\"qowt-font3-ArialNarrow\">Haim <\/span><span id=\"E2093\" class=\"qowt-font3-ArialNarrow\">Chanin<\/span><span id=\"E2095\" class=\"qowt-font3-ArialNarrow\"> Collection<\/span><span id=\"E2096\" class=\"qowt-font3-ArialNarrow\">; FR<br \/>\n<\/span><span id=\"E2098\" class=\"qowt-font3-ArialNarrow\">Collection La Petite <\/span><span id=\"E2100\" class=\"qowt-font3-ArialNarrow\">Escal\u00e8re<\/span><span id=\"E2102\" class=\"qowt-font3-ArialNarrow\">, FR<br \/>\n<\/span><span id=\"E2105\" class=\"qowt-font3-ArialNarrow\">Fundacion<\/span><span id=\"E2107\" class=\"qowt-font3-ArialNarrow\"> Carmona e Costa, PT<br \/>\n<\/span><span id=\"E2109\" class=\"qowt-font3-ArialNarrow\">ANA, PT<span id=\"E2107\" class=\"qowt-font3-ArialNarrow\"><br \/>\n<\/span><span id=\"E678\" class=\"qowt-font5-ArialNarrow\">The Beverly Hilton Hollywood, USA<br \/>\nApostolic Library Vatican, VA<br \/>\nCalouste Gulbenkian Art Library, PT<br \/>\n<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<h1>Publications<\/h1>\n<p>Untitled (intimacy), (ed), Published by Documenta, 2018<br \/>\n<span id=\"E2119\" class=\"qowt-font3-ArialNarrow\">The<\/span><span id=\"E2121\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2123\" class=\"qowt-font3-ArialNarrow\">Language<\/span><span id=\"E2125\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2127\" class=\"qowt-font3-ArialNarrow\">of<\/span><span id=\"E2129\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2131\" class=\"qowt-font3-ArialNarrow\">Plants<\/span><span id=\"E2133\" class=\"qowt-font3-ArialNarrow\">, cut-<\/span><span id=\"E2136\" class=\"qowt-font3-ArialNarrow\">outs,giefarte<\/span><span id=\"E2139\" class=\"qowt-font3-ArialNarrow\"> (ed), <\/span><span id=\"E2141\" class=\"qowt-font3-ArialNarrow\">Published<\/span><span id=\"E2143\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2145\" class=\"qowt-font3-ArialNarrow\">by<\/span><span id=\"E2147\" class=\"qowt-font3-ArialNarrow\"> Documenta, 2018<\/span><br \/>\n<em><span id=\"E2149\" class=\"qowt-font3-ArialNarrow\">Flower ornament<\/span><\/em><span id=\"E2150\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E2152\" class=\"qowt-font3-ArialNarrow\">giefarte<\/span><span id=\"E2154\" class=\"qowt-font3-ArialNarrow\"> (<\/span><span id=\"E2156\" class=\"qowt-font3-ArialNarrow\">ed<\/span><span id=\"E2158\" class=\"qowt-font3-ArialNarrow\">),<\/span><span id=\"E2159\" class=\"qowt-font3-ArialNarrow\"> Published by <\/span><span id=\"E2161\" class=\"qowt-font3-ArialNarrow\">giefarte<\/span><span id=\"E2163\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E2164\" class=\"qowt-font3-ArialNarrow\">2017<br \/>\n<\/span><em><span id=\"E2166\" class=\"qowt-font3-ArialNarrow\">Casa de <\/span><span id=\"E2168\" class=\"qowt-font3-ArialNarrow\">Vidro<\/span><\/em><span id=\"E2170\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E2172\" class=\"qowt-font3-ArialNarrow\">giefarte<\/span><span id=\"E2174\" class=\"qowt-font3-ArialNarrow\"> (<\/span><span id=\"E2176\" class=\"qowt-font3-ArialNarrow\">ed<\/span><span id=\"E2178\" class=\"qowt-font3-ArialNarrow\">), <\/span><span id=\"E2179\" class=\"qowt-font3-ArialNarrow\">Published by <\/span><span id=\"E2181\" class=\"qowt-font3-ArialNarrow\">giefarte<\/span><span id=\"E2183\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E2184\" class=\"qowt-font3-ArialNarrow\">2015<br \/>\n<\/span><span id=\"E2187\" class=\"qowt-font3-ArialNarrow\">La <\/span><span id=\"E2189\" class=\"qowt-font3-ArialNarrow\">Petite<\/span><span id=\"E2191\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E2193\" class=\"qowt-font3-ArialNarrow\">Escal<\/span><span id=\"E2194\" class=\"qowt-font3-ArialNarrow\">\u00e8re<\/span><span id=\"E2196\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E2198\" class=\"qowt-font3-ArialNarrow\">jardim<\/span><span id=\"E2200\" class=\"qowt-font3-ArialNarrow\"> de sculptures, <\/span><span id=\"E2202\" class=\"qowt-font3-ArialNarrow\">residences<\/span><span id=\"E2204\" class=\"qowt-font3-ArialNarrow\"> 2012, LPE (<\/span><span id=\"E2206\" class=\"qowt-font3-ArialNarrow\">ed<\/span><span id=\"E2208\" class=\"qowt-font3-ArialNarrow\">), <\/span><span id=\"E2209\" class=\"qowt-font3-ArialNarrow\">Published by Le Petit <\/span><span id=\"E2211\" class=\"qowt-font3-ArialNarrow\">Escal\u00e8re<\/span><span id=\"E2213\" class=\"qowt-font3-ArialNarrow\"> 2012<br \/>\n<\/span><em><span id=\"E2215\" class=\"qowt-font3-ArialNarrow\">The world appeared to her reflected by pure inwardness<\/span><\/em><span id=\"E2216\" class=\"qowt-font3-ArialNarrow\">, <\/span><span id=\"E2217\" class=\"qowt-font3-ArialNarrow\">Published by Spike Island (<\/span><span id=\"E2219\" class=\"qowt-font3-ArialNarrow\">ed<\/span><span id=\"E2221\" class=\"qowt-font3-ArialNarrow\">), Bristol, UK,<\/span><span id=\"E2222\" class=\"qowt-font3-ArialNarrow\"> 2010<br \/>\n<\/span><em><span id=\"E2225\" class=\"qowt-font3-ArialNarrow\">Autumn<\/span><\/em><span id=\"E2227\" class=\"qowt-font3-ArialNarrow\"><em> House<\/em>,<\/span><span id=\"E2228\" class=\"qowt-font3-ArialNarrow\"> Cooperativa de Arte e Cultura (ed), <\/span><span id=\"E2229\" class=\"qowt-font3-ArialNarrow\">Published by <\/span><span id=\"E2230\" class=\"qowt-font3-ArialNarrow\">Cooperativa de Arte e Cultura 2008<br \/>\n<\/span><span id=\"E2232\" class=\"qowt-font3-ArialNarrow\"><em>Taller Ocupado<\/em>,<\/span><span id=\"E2233\" class=\"qowt-font3-ArialNarrow\"> Jorge Santos (ed.), <\/span><span id=\"E2234\" class=\"qowt-font3-ArialNarrow\">Published by Jorge Santos<\/span><span class=\"qowt-font3-ArialNarrow\"> 2007<\/span><\/p>\n<h1>Academic education<\/h1>\n<p><strong><span id=\"E76\" class=\"qowt-font4-ArialNarrowBold\">2000 &#8211; 2001<br \/>\n<\/span><\/strong><span id=\"E79\" class=\"qowt-font3-ArialNarrow\">MA Masters of Arts in Visual Arts: <\/span><span id=\"E81\" class=\"qowt-font3-ArialNarrow\">ESAD<\/span><span id=\"E82\" class=\"qowt-font3-ArialNarrow\">.CR<\/span><span id=\"E83\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E84\" class=\"qowt-font3-ArialNarrow\">,<\/span><span id=\"E86\" class=\"qowt-font3-ArialNarrow\"> <\/span><span id=\"E87\" class=\"qowt-font3-ArialNarrow\">Calda<\/span><span id=\"E88\" class=\"qowt-font3-ArialNarrow\">s <\/span><span id=\"E89\" class=\"qowt-font3-ArialNarrow\">da <\/span><span id=\"E91\" class=\"qowt-font3-ArialNarrow\">Rainha<\/span><span id=\"E93\" class=\"qowt-font3-ArialNarrow\">; Portugal<\/span><\/p>\n<p id=\"E95\" class=\"qowt-stl-Body\"><strong><span id=\"E96\" class=\"qowt-font4-ArialNarrowBold\">1997 &#8211; 1999<br \/>\n<\/span><\/strong><span id=\"E99\" class=\"qowt-font3-ArialNarrow\">BA Bachelor of the Arts in Fine Art Painting:\u00a0<\/span><span id=\"E104\" class=\"qowt-font3-ArialNarrow\">ESAD.CR, Caldas d<\/span><span id=\"E105\" class=\"qowt-font3-ArialNarrow\">a <\/span><span id=\"E107\" class=\"qowt-font3-ArialNarrow\">Rainha<\/span><span id=\"E109\" class=\"qowt-font3-ArialNarrow\">,<\/span><span id=\"E110\" class=\"qowt-font3-ArialNarrow\"> Portugal<\/span><\/p>\n<p><span id=\"E2235\" class=\"qowt-font3-ArialNarrow\">\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;55602&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text] Jorge Santos Born in Silves, in 1974. Graduated in Fine Arts (ESAD, Caldas da Rainha, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-54520","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/pages\/54520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/comments?post=54520"}],"version-history":[{"count":54,"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/pages\/54520\/revisions"}],"predecessor-version":[{"id":55887,"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/pages\/54520\/revisions\/55887"}],"wp:attachment":[{"href":"https:\/\/jorgesantos.eu\/en\/wp-json\/wp\/v2\/media?parent=54520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}